Image Filters
Grade a photo with live sliders on the picture, then download it at full resolution.
How it works
How to add a filter to an image?
Open the picture
Drag in a JPG, PNG or WebP, or pick one. It is read straight off your device — nothing is uploaded, so there is no size cap and no queue.
Start from a look
Thirteen one-tap looks — Punch, Faded, Noir, Vintage, Halftone, Fisheye and the rest. Each one sets several sliders at once, which is the part that is tedious to find by hand.
Move the sliders
Seventeen of them, grouped the way a photographer reaches for them: light, colour, detail, stylise, lens. They stack, so warmth and grain and a vignette are one picture, not three passes.
Download it
Save as JPG, PNG or WebP. The filters are applied at the picture’s own resolution, so what you get is the full-size original with the grade baked in — and nothing stamped in the corner.
What is in the panel
Every filter, on one picture
Light
Brightness, exposure, contrast and fade. Exposure multiplies the way a stop does; brightness adds flat; fade lifts the blacks for a matte print.
Colour
Saturation, warmth, tint and a full hue rotation, plus black & white, sepia and invert as amounts you can dial rather than switches.
Detail
Sharpen is a real unsharp mask, blur is a three-pass Gaussian, and both are measured against the short edge so they mean the same thing on any picture.
Film and print
Grain that does not crawl while you drag the slider, and a vignette with a smooth falloff instead of a visible ring where it starts.
Posterize and dither
Cut the picture to between 2 and 16 tones per channel, then scatter the boundary with an ordered dither for a newsprint halftone rather than a band.
Lens and frame
A fisheye that bulges or pinches without emptying the corners, quarter turns, and flips across or down.
Hold to compare
Press and hold to see the shot you started from, in the same frame at the same size. Let go and the grade is back.
Your own resolution
JPG, PNG or WebP with the quality in your hands, written at the picture’s own pixel size — never a preview blown back up.
Which slider
Fixing what is actually wrong
Most photos that look wrong are wrong in one of four ways, and reaching for the right control is faster than pushing all of them. This is the shortlist.
| What is wrong | Reach for | Why that one |
|---|---|---|
| Too dark, but the highlights are fine | Brightness, then Fade | Brightness adds the same amount everywhere, so it opens the shadows without blowing out a bright sky |
| Flat and grey, shot through a window or in haze | Contrast, then a little Sharpen | Contrast pivots on mid-grey and pushes the ends apart; sharpening puts the edge back that the haze softened |
| An orange or blue cast from indoor light | Warmth, then Tint | They are the two white-balance axes — gains on the channels, not a hue shift, so the colours that were right stay right |
| Busy background pulling the eye off the subject | Vignette, then Saturation | Darkening the corners and pulling colour back are how a print sends attention to the middle without cropping |
Questions